Perfect Way To Upgrade Your Summer Blazer: Handcrafted Linen Pocket Squares – Fort Belvedere

Welcome to Fort Belvedere! In this video, we talk about the linen pocket squares with hand rolled X stitches. How they’re different from one another, how you can wear them and what makes them so unique. First of all, we have two different variations of linen. One is a more traditional linen which is softer yet still stiff enough to fold into a nice pocket square shape, but it’s more what you’re used to from a regular store. The other option is a so-called handcrafted linen which is handwoven. It has a very open weave which makes it very summery and casual. And if you look at the fabric itself, it has little knobs.

Some are thicker than others. It’s very transparent. It is stiffer and because of that we had to make that pocket square smaller. Why smaller? Basically, we design all of our pocket squares so they stay in your pocket without being too big. They will never disappear. They will never pop out. They’re just proportioned exactly the right way for your pocket. On top of that, all these pocket squares are hand rolled not just in a usual way but with an X stitch. That basically takes more than twice as long because the X’s have to be the same so they look harmonious and proportional. If you already have shoestring pocket squares with contrasting edges this is the next step.

It’s much rarer. You can really not find it made from China. These are made in Italy from Italian linen which is very high-quality. For the finer traditional linen, we offer it with a red X stitch as well as the navy X stitch. You can wear it with blazers or with business suits. It just adds a little bit of something extra to it. One of my favorite pocket squares is the pale yellow one with a pale yellow X stitch. It’s just summery, it’s subtle, it works well with pastel shirts and so does the brown and blue one with a brown base and blue X stitching.

On top of that we have our handcrafted linen. One in a burgundy red with white. It’s a very summery, very light fabric but you can also wear it with tweed jackets. Then we have a yellow one with a navy blue X stitch, which is different than the other yellow one that I mentioned before and so you can combine it with either your yellow and blue socks or maybe with elements in your jacket or your tie. The other version is a plain white even though it’s not a 100% white. It’s slightly more muted than that but it has light blue X stitching which is really great on summer blazers or sport coats. Last but not least, we have a blueish version of the handcrafted linen with a dark navy X stitch which goes really well with any kind of blue outfit.

It makes it a little more casual, a little more relaxed and a little more summery even though you could wear them during the fall especially with flannel and tweed jackets. For a full selection our pocket square head over to the shop here, where you can also find a pocket square with hand stitch dots which is kind of polka dot effect or with the suits when you play cards. Really great if you like poker or if you go to Vegas a lot. .

How Bespoke Italian Leather Shoes Are Made

I think the passion, you really need it to create something on a particular level. You need to give everything from yourself in there and that’s the difference I think. Bespoke means for me, that I discuss really with the client what he wants. You have ideas here, you can see different materials, different models. It’s very important to listen. Nowadays, many people don’t listen anymore. The last is really the copy of your foot on which we create the shoe. But nobody shows you how to make a last, really, so you have to train it by yourself, and to get the feeling by yourself, how you should do it. You have certain measurements from the foot, but the feeling of the client is always different. I love using leather because you get this particular different touches. What I appreciate so much from this tannery is they use a Swiss calf. Maybe it’s because it’s cold and these animals live on a very high level in the mountains.

It’s always a cow, but cows are also different. I think it’s something which you can wear for a long time and the leather the more you wear it, it really gets more life I think. I will draw the model from the client. This drawing, I will translate then on a flat paper model, which I put on the leather, then we sew it together. From there, we start creating really the shoe. I think the handcraft and this concentration of different craftmanships in Florence is really coming up from the Medici family. If it’s a jeweler or if it’s a painter, or a sculpture maker, they’ve always tried to get the best artisans in town. The upper will be nailed and pulled over the last. I will start sewing with the linen thread, which is made waterproofed with wax. When you stitch you have two threads which go into the same hole and as you pull, the wax goes hot, it will seal together, so the water can’t go through. This is a very particular and very old process. It’s very rare to be a woman in this shoemaking world. When I started, everybody looked at me and said, this lady is going to close down in a year.

A woman in a man’s job, it’s not going to work. Now, they all proud in this area that I’m still here. We fill in the wooden shank and back support because that’s the part under the curve of your foot, which will not be bent so it has to be supportive and stiff. The front part we will fill with cork. This is to give you a cushion effect, as you bend it the whole time it’s important to have it soft. We apply the sole. We will glue it on and afterwards make a channel. We will stitch the welt and the leather sole together through the channel so it gets more the shape of a shoe and you see it more as a finished product. When we work normally in the workshop, it’s a very calm feeling. We are in a meditation, because you are so concentrated on what you do. You can feel that all of a sudden, the energy comes down. Everybody’s concentrated on his particular step. The last big step to put on is the heel, which will be built out of single layers of leather.

We will glue them and nail them on, and then cut them in shape. At the end, we pass some glass, sanding it. And then burn it with hot irons, so all the pores are going to be completely closed up. The last step is to shine the whole shoe. And then we can pull out the last and then the client can wear it. If you count the hours, we would work around three weeks on one pair of shoes. When I see a finished shoe and the client really tries it on, it’s always the moment of reality and relief, if it really fits well. When this person is really happy, you can just see in their eyes without explaining that it’s the best feeling ever. I think a shoe is more than an object. A shoe really reflects the person who is wearing it. The leather they choose, the color they choose, and how they wear it.

Because it’s not just the pair in the beginning, it’s the pair over many, many years. .